The Scribe Who Turned Holy Letters Into Modern Masterpieces

Tucked away in the winding alleys of Jerusalem’s Old City, a unique studio bridges the sacred and the creative. Here works Kalman, a trained sofer stam, a Jewish scribe traditionally entrusted with writing Torah scrolls, tefillin, and mezuzot. Yet Kalman has transformed this ancient discipline into a distinctive art form, reimagining Hebrew letters as both text and canvas. He told his story recently on Thank You Hashem's TikTok page.

“The first sofer was Moshe Rabbeinu,” he explains, tracing a line of tradition that stretches back thousands of years. “Every sofer today is part of a chain that goes all the way back to Moshe. It’s amazing.”

From Scribe to Artist

Although Kalman was trained as a traditional scribe, he realized early on that his passion extended beyond ritual writing.

“I’m more of a creator person,” he says to Thank You Hashem reporter. “So it made sense for me to take the holy Hebrew letters and develop my own art form that really synthesizes their beauty and their power in the Jewish tradition.”

His artworks are built entirely from Hebrew text: verses, phrases, and blessings become shapes, patterns, and designs. For Kalman, the words themselves are the art:

“The content, the passuk, in and of itself is so beautiful. Let’s make that into the artwork.”

Inspiration from Jerusalem

Kalman draws much of his creative energy from his surroundings.

“They say that Yerushalayim is simultaneously a reality and a dream,” he reflects. “Anytime you’re in the Old City, you almost feel this dream state. There’s so much inspiration, it’s unbelievable. The challenge is not to get overwhelmed, because inspiration is infinite. You just try to catch whatever you can and bring it out. And if something is infinite, you only need a little bit.”

Tools of Tradition

The tools in Kalman’s studio are themselves a window into Jewish tradition. He demonstrates quills carved from goose and turkey feathers, used in Ashkenazi practice, alongside the reed pen of Sephardic scribes.

“Why do we use a reed? We say you should always be soft like a reed and not hard like a cedar,” he explains to Thank You Hashem. “The ability to be soft is the ability to interact with reality. We always want to approach the world with freshness and renewal (chidush).”

A Living Chain

Through his work, Kalman preserves an unbroken chain of Jewish scribal tradition while reimagining it for modern eyes. His studio is less a gallery than a sanctuary, where art, spirituality, and history converge in the simple curves of a Hebrew letter.